On 'Stuck in the Middle' and 'Candy Licker,' Sease was at his bluest best, milking both hits for all they were worth. He has an expressive voice that he too rarely allowed to shine, opting instead for his almost one-note sexual braggadocio. On 'Heaven Knows' and 'Making Love in the Slow Lane,' he bragged about his sexual prowess over the R&B grooves of his five-piece band. Sease quickly launched into his often smooth but ribald blues work. The strong bass playing of John Hayes and the gospel keyboard work of Marvin Weatherlee helped Scott-Adams garner a standing ovation for her moving rendition. Scott-Adams saved the song from the realm of novelty with her unflinching and sensitive delivery. The highlight of the night was her No.1 blues single, 'Bill,' about a woman losing her husband to his gay lover. On the gut-bucket 'Slow Drag,' Adams displayed subtlety and sweetness as she purred the double-entendre lyrics. Her tight six-piece band, led by director and keyboardist Cal Gates, stayed right with her as Adams jumped all over the song with her powerful growling. She opened her show strongly with 'Clean House,' a romping blues about a failed relationship. After taking a 12-year hiatus from performing and recording, Scott-Adams has the No. LOUD SING PROUD 43 39 4 MARVIN SEASE JIVE 41712 (11.98/17.98) WOMEN WOULD RATHER. But Scott-Adams, with a career spanning 30 years, quickly let the audience know she is a true blues veteran. 2001 TTLE IMPRINT & NUMBER/DISTRIBUTING LABEL (SUGGESTED LIST PRICE OR. While the audience at Friday Night's blues concert at Lincoln Theatre knew very well the work of Marvin Sease, many were just learning about the talent of Peggy Scott-Adams.

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